Top 5 Fears When Facing Feedback Earlier this month, I sent my synopsis to my mentor. Sunday, she sent it back with feedback and I eagerly– spent the rest of the day avoiding it. I had dived into her comments on my first chapter. I don’t usually hesitate to read feedback. What was different this time? The synopsis lay my story out cleanly. In 3 pages, my mentor could see my entire plot. My characters’ motivations. Everything. My Top Five Fears: 5. Just didn’t connect The most common and frustrating reaction from agents — the pure defeat of “I just didn’t connect with the story/characters/plot”. But, as a mentor, she’s going to give some sort of feedback. What if she suggests it go in a completely different direction, that doesn’t work for me or my characters? What if she insisted I was telling a different story than I had? Or thought a different story would be more compelling to agents? 4. Found it confusing Sometimes agents don’t connect because they can’t understand what’s going on. What if my mentor didn’t get my story because my writing was confusing? The motivations didn’t make sense and the sequence of events was unclear. 3. Found it too formulaic Perhaps, she could have thought it was decently written, but something she’s seen a thousand times, with nothing unique for us to build on, to draw the agents and publishers in. 2. Found it too contrived A critique-partner had already told me back in December that one of my plot points felt a bit too contrived. What if my mentor agreed, and thought MORE of the plot felt forced and contrived? 1. Found a massive plot hole What if there was some logic my story was missing that broke the whole thing? That would be a LOT of work. I’m emotionally prepared for edits and polishing, but a MASSIVE restructuring of my story would definitely knock me back on my heels. With all that weighing on me? I indulged my cold *sniffles hard*, binge-watched tv, and avoided reading her email. Finally, just after midnight, I gave in and opened the email. No plot holes, just some clarification needed and slightly better justification for an almost contrived point. I cleaned up my draft, sent it off, and I talked with her just before I wrote this post. She likes my story, loves my world building, and was pleased that I could justify just about everything in that synopsis. How do you handle feedback? Is the stress worse than the reality of it?